Why we must keep the memory of the Holocaust alive, now more than ever

by Toby Thacker Senior Lecturer in Modern European History at Cardiff University 26.01.2015
On January 29 1945 Victor Klemperer, a Jewish academic in Dresden, recorded in his diary being told by a friend about a speech on the radio given by the émigré writer Thomas Mann:

According to it, the Germans had murdered one-and-a-half million (the figure was given down to the last hundred) Jews in Auschwitz, and ground down their bones to use as fertiliser. The exact figure was owed to German thoroughness, a record had been kept of every single dead Jew, and thanks to their surprise advance the Russians had found the books.

Klemperer made no further comment. Whether this was because he was overwhelmed by the moral enormity of what he had heard, or because, after 12 years of meticulously observing and recording the intensifying Nazi persecution of the Jews, he was just too weary, is not clear. Certainly he knew that his own position at this point was incredibly precarious, and that he too was likely to be murdered as the Nazi regime collapsed.

Soldiers of the Red Army had entered the huge Auschwitz-Birkenau concentration camp two days previously on January 27. There they found a few thousand emaciated survivors, vast stores of clothing and shoes, and the ruins of gas chambers and crematoria. It soon became clear that Auschwitz had been a centre for the extermination of the Jews, as well as a place of incarceration and torture for prisoners from all over Europe.

The day of liberation, January 27 was, more than half a century later, adopted as Holocaust Memorial Day. At the heart of this commemoration is the commitment to learning about the Holocaust and other subsequent genocides, in the hope that knowledge may help “to create a safer, better future”.

Symbolic railway and platform at Treblinka, built by the Polish government at the site in the early 60s. Toby Thacker, Author provided

Slow realisation

It took a while for comprehension of the Holocaust to accumulate during the war. The Nazis began the mass murder of Europe’s Jews in the summer of 1941. Details of the mass shootings of Jews in the former Soviet Union were decrypted by the British at Bletchley Park early on, but it was when the Nazis began gassing Jews in highly secret camps in Poland in 1942 that news of this leaked to the outside world, through numerous channels. In deliberately vague terms, Hitler and Goebbels made it perfectly clear in public pronouncements that they were carrying out the extermination of the Jews.

In 1943, 1944, and 1945, as the physical sites of the Holocaust were uncovered survivors liberated and perpetrators captured – starting with the liberation of Ukraine in 1943 – a more detailed picture unfolded. Unsurprisingly, as with the second-hand reporting of Thomas Mann’s radio speech which Klemperer heard, there were inaccuracies and confusions. The Germans had not recorded their crimes meticulously. They had in fact worked very hard to obscure them, burning the bodies of their victims, destroying death camps and avoiding committing crucial orders to paper.

Even key perpetrators were ignorant of the bigger picture – and very confused about details. When Rudolf Höss, the commandant of Auschwitz between 1941 and 1944, appeared as a witness at the Nuremberg trial of the major war criminals in April 1946, he freely confessed that a total of 3m prisoners had died there during that period. Today there is scholarly consensus that approximately 1m Jews were killed at Auschwitz.

In 2004 the whole site of Bełżec was covered with stones, which form part of a larger memorial complex. Toby Thacker, Author provided

After the fact

It wasn’t until the early 1960s, after the trial of Adolf Eichmann and, separately, of a number of former Auschwitz guards in Frankfurt, that serious scholarly investigation of the Holocaust commenced. The publication of Raul Hilberg’s The Destruction of the European Jews in 1963 inaugurated a period of painstaking research into different aspects of the Holocaust, which still continues. No aspect of modern European history has been more intensively researched or more furiously debated.

Academic study has been complemented by documentary films, a huge mass of memoirs, philosophical, sociological and theological commentaries, and biographies of individuals involved. The enormous popularity of feature films about the Holocaust, and of Art Spiegelman’s cartoons in Maus have ensured that representations in popular culture have contributed significantly to our wider understanding.

Since 2001 the Holocaust Memorial Day Trust has used commemorative activities to educate great numbers of schoolchildren and other members of the public in different countries. Around the world Holocaust museums and memorials have proliferated. Significant collections of Holocaust-related materials have been developed online.

Holocaust Memorial Day will again be observed, accompanied by ceremonies, educational activities, and media events. This year being the 70th anniversary of the liberation there will be a particular focus – but, unequivocally, we still need this structured memory. In Europe and in the Middle East, anti-Semitism is growing. Intolerance, racism, and cruelty are the staples of our daily news diet and we are witnessing the worldwide growth of an ideology which rejoices in killing its opponents. Holocaust Memorial Day matters more than ever.

The Conversation

This article was originally published on The Conversation. Read the original article.

Toby Thacker’s research concentrates on the cultural, political, and military history of the twentieth century in Europe. He has focused particularly on the role and place of music in Germany after 1945; on music in the early GDR; and on the relationship between different forms of music and concepts of citizenship in modern Germany. Thacker has also written about the end of the Second World War in Europe, and most recently he has written a full length biography of Joseph Goebbels. Toby Thacker is now devoting attention to British culture, the arts, and the construction of memory during and after the First World War, and is researching for a forthcoming book on this subject.

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