Letter from the Editor
In a well-known exchange in their first debate, Donald Trump castigated Hillary Clinton for retre
Happiness has become a modern obsession. Searching for it, holding on to it, and wishing it on our loved ones have all become motivating forces for how we live our lives.
The internet has transformed our lives. As of July 2016, around 40% of the world’s population was online – that’s nearly 3.5 billion internet users.
The new National Security Adviser to incoming President Donald J. Trump, Lt.-Gen. Michael Flynn, has called Islam a “cancer” and maintained that it is a “political ideology” masquerading as a religion.
Earlier this month, Colorado voters approved a ballot that made it the fifth state to legalise physician-assisted suicide (excluding Montana, which allows it via court ruling
Technology is advancing so rapidly that we will experience radical changes in society not only in our lifetimes but in the coming years. We have already begun to see ways in which computing, sensors, artificial intelligence and genomics are reshaping entire industries and our daily lives.
The spread of fascism in the 1920s was significantly aided by the fact that liberals and mainstream conservatives failed to take it seriously. Instead, they accommodated and normalised it.
Since the news broke of Donald Trump’s election to the presidency of the United States, there has been much incredulity and analysis. How was it that someone as aberrant as Trump could emphatically beat Clinton and gain so much support from Christian voters?
Evangelicals, or born-again Christians, account for approximately 25.4% of the US population – and Donald Trump should thank them for their support.
the election results rolled in last night, it became increasingly clear that America — and the world — would never be the same.
The last eulogy I gave was at my father’s funeral. The time has come to give another, this one my last, paying homage to an America I thought I knew but did not.
The Democratic Party has been the Establishment for eight years, and the Clintons have arguably been the Establishment for 24 years.
This election was a ridiculously long and sad spectacle, as well as being a total media circus, and said something rather unfortunate about what we appear to have become as a nation.
It’s over: Donald Trump will be the 45th president of the United States. The election that elevated him to this office has been brutal, ugly and bizarre. It has poisoned the well of American democracy, and the toxins it has introduced are unlikely to disperse anytime soon.
The historian Richard Hofstadter wrote a still widely read 1964 essay for Harper’s Magazine outlining what he called the “paranoid style” in American politics.
After using his presidential campaign to denigrate women, Latinos, Muslims, African Americans, war veterans and the disabled – among others – Donald Trump is rounding off the election by attacking some of the fundamental institutions of American democracy.
Except for the lucky few who have the gift, students struggling to coax music out of a piano are in for a world of pain.
A young man from provincial Italy brought style back to the recent Van Cliburn Piano Competition with unbridled displays of joy at the keyboard and a mature artist’s mastery of the music.
Alessandro Deljavan, the promising young Italian pianist who emerged as a major contender at the recent Van Cliburn International Piano Competition, has decided to pull out of the Cleveland International Piano Competition just a month before it opens July 3O.
Young pianists who decide to go into major international competitions will need much more than musicianship from now on.
The young Italian pianist Mauro Bertoli, now based in Ottawa, Canada, displays considerable hubris in leading off his recent solo CD with three well-known Scarlatti sonatas. If he felt he had something to say that Horowitz and Pogorelich hadn’t already said, he was right.
Beethoven’s Fifth Symphony is one of the most arresting of the Romantic period creations but this has not prevented commentators from writing “roaring cataracts of nonsense” about it. Those choice words from the late English critic and musicologist Donald Tovey came to mind as