“Cursed be that mortal inter-indebtedness which will not do away with ledgers. I would be free as air; and I’m down in the whole world’s books. I am so rich… and yet I owe for the flesh in the tongue I brag with” (Moby Dick, chapter cviii).
At the age of 50, Henry James created a detailed portrait of an experimental novelist in old age, in his story “The Middle Years.” Terminally ill, the novelist Dencombe receives in the mail the published version of what he realizes will be his final work, a novel titled The Middle Years.
Serious readers like to see a review or two about big, complicated novels before deciding whether to devote their life to them. The thousand-page Russian classics all seem to carry this warning flag.
PRINCETON – This summer, at literary festivals and bookstores around the world, readers celebrated the 20-year anniversary of the debut of the first book in J.K.
As a pianist, I have spent a lifetime reading interviews with other pianists. But I would know, above all, what it is precisely that others think about when they play. People often ask me that question.
During all of my adult life as an author and pianist, Ralph Waldo Emerson has been for me the supreme and unremitting guide to the Western canon.
Rarely does a musician with a Juilliard background and a Ph.D. in piano performance find the energy, much less the time, to conceive, plot, write and publish a series of well-constructed novels.
The Wall Street Journal has made an egregious error. I'm not talking about their coverage of Donald Trump, Russian hacking, or any other such ephemera. This concerns something much more serious: classic literature.
A Talmudic question has much intrigued me: Two men are stranded in the desert. Only one has water. If he shares it, they both die; if he keeps it, he lives and his companion dies. What should he do? Rabbi Akiva taught that the man has the right to drink it.
To the surprise of many, Bob Dylan has become the first singer-songwriter to win the Nobel prize in literature.
It is 100 years since the birth of Roald Dahl – considered by many to be the world’s number one storyteller. His books have received enthusiastic responses from millions of children all around the world.
Johann Sebastian Bach’s B Minor Mass, performed at Symphony Hall on Friday (March 23) and again on Sunday (March 25), was delivered in impressive Baroque style by the Handel+Haydn Society orchestra and chorus.
The Brahms Scherzo Op. 4 opens with a delicate and playful theme, then carries us along on waves of emotion swinging from the filigree, to the lyrical, the thunderous, and back to the delicate.
Perhaps enough time has passed since the death of the famous French pedagogue Nadia Boulanger to step back and question her musical sainthood. After all, she was only human.
The press was protected so that it could bare the secrets of government and inform the people. Only a free and unrestrained press can effectively expose deception in government
The 53rd Chicago International Film festival ran 150 films from October 12-27, 2017. Directors, screenplay writers and actors attended many of the films from fifty countries.
Sofia Coppola’s triumphant win at Cannes as best director for The Beguiled is the latest in a series of notable successes for a director quietly but forcefully blazing her own tr
The blogosphere has been awash this month with reviews of Martin Scorsese’s latest movie, Silence.
The Crown, Netflix’s most ambitious and expensive original drama, had a reported budget of over US$100 million.
Violence against women in television drama has always been high.
Strange to say, but Donald Trump might have been a filmmaker rather than real estate magnate.
Daniel Craig’s entry into the Bond world was more than a change of face: he also brought in an abrupt about turn in style, from the fantastical to the gritty.
Life offers a brief “outtake” from one of the most famous lives to be profiled in the magazine of the same name’s history. James Dean starred in only three major Hollywood films before his death in a car crash on September 30 1955.
Is there such a thing as post-racism?
That’s what Justin Simien’s film Dear White People asks us to consider. And it’s just about to hit the UK.