The first time I encountered poet Dana Gioia was in 1991 when I read his controversial essay in The Atlantic Monthly, “Can Poetry Matter?” and then the book with that title that followed. Gioia has deeply influenced my own thinking about poetry, about literature and about work.
Robert Craft knew from an early age that his considerable musical gifts would never be quite enough to make him a great composer, conductor or performer.
Adventurous readers, myself included, make a practice of looking for talented new writers who are just waiting to be discovered. These solitary artists are often buried alive in the overcrowded publishing world, wondering if word-of-mouth will ever kick in.