Jul 19th 2015

A fresh and rounded look at Voltaire

by Michael Johnson

Michael Johnson is a music critic with particular interest in piano. 

Johnson worked as a reporter and editor in New York, Moscow, Paris and London over his journalism career. He covered European technology for Business Week for five years, and served nine years as chief editor of International Management magazine and was chief editor of the French technology weekly 01 Informatique. He also spent four years as Moscow correspondent of The Associated Press. He is the author of five books.

Michael Johnson is based in Bordeaux. Besides English and French he is also fluent in Russian.

You can order Michael Johnson's most recent book, a bilingual book, French and English, with drawings by Johnson:

“Portraitures and caricatures:  Conductors, Pianist, Composers”

 here.

What would Voltaire make of his uncertain place in the collective American consciousness today? My guess is that he would be outraged.  Educated Americans know a few of his aphorisms and perhaps his Candide novella but they seem to have blocked all memory of his key role in the thinking of their “Founding Fathers”, the 18th century men who drove the creation of the United States. 

A new book takes a step toward righting these wrongs and in the process stimulates A fresh and rounded look at Voltaire interest in the old French sage’s prolific output. Voltaire’s Revolution: Writings from his campaign to free laws from religion (Prometheus Books), by American-born Voltaire enthusiast G.K. Noyer, summarizes the debt that Benjamin Franklin, Thomas Paine, James Madison, John Adams, and even George Washington owe to Voltaire.

The facts are clear. Paine’s Age of Reason has often been cited as a case of plagiarism of Voltaire’s pamphlets. Historian Garry Wills has found a Voltaire antecedent of Patrick Henry’s  “Give me liberty or give me death”. And other historians have identified Voltaire’s revolutionary thinking as inflaming the imagination of virtually the entire reading public in the New World.

Noyer announces her colors in the 55-page introduction, a readable broad-brush overview of Voltaire’s impact then and now. Although the American Revolution was the embodiment of the Europe’s Enlightenment movement, she writes, “a great many Americans don’t know it. “ … (T)he names Voltaire and Montesquieu have virtually vanished in recent years, along with the very word “Enlightenment”. One writer has deplored current American trends as relegating Voltaire to “kooks’ corner” or the “memory hole”. 

Noyer’s comparison of books of the era exposes the disconnection. One scholar she cites discovered that Voltaire “was without question the most frequently discussed … and reprinted” of European writers of the time. Many historians have claimed that French intervention in the Revolutionary War triggered a wave of Francophilia in which “enthusiasm for all things French (including Voltaire) became well-nigh universal”. At Yorktown, where British General Cornwallis surrendered in 1781, French soldiers outnumbered Americans two-to-one.

Voltaire’s campaigns are still regarded as fundamental to an open society – notably on the subject of tolerance -- but his rational mind and his rejection of organized religion underpinned his thinking. In contrast, the English philosopher John Locke, also a believer in tolerance, built his arguments on passages from the Bible. “This surely explains,” says Noyer, “why he (Locke) has replaced Voltaire in American schoolbooks” today.

Voltaire by Michael Johnson, the author

Noyer expects some readers to disagree. “I'm sure I'll read retorts and some howling, and who knows,” she tells me. “Perhaps I'll be proven wrong. But at least readers now have the primary materials and can form their own opinions…. I’m aiming at a rounder picture of Voltaire.”

The introduction is meaty and fresh but the strength of this book relies more on the new translations of work by or about Voltaire.  Noyer says she undertook complete translations of the texts, partly because so much of Voltaire has been unevenly rendered into English over the centuries or printed in obscure compilations difficult to find and categorize. A number of the texts appear here in English for the first time, although Noyer acknowledges that unrestricted use of Voltaire’s work make it impossible to certify “firsts” with any scholarly rigor.

This book is aimed at the general reader; texts are introduced with compact and well-informed introductions to provide context. Her criteria in selecting the twenty Voltaire texts and nine “testimonials” were to focus the book on texts that seem “pertinent and timeless”.

I count myself as a Voltaire enthusiast but had never bothered to unearth some of these gems.  Her rendering of “Frederick the Great’s Eulogy of Voltaire” sums up the man succinctly: “”So many talents, so much diverse knowledge united in a single person, throws readers into an astonishment mixed with surprise… M. de Voltaire was worth an entire academy by himself.”

And Voltaire’s “Reflections for Fools,” on the spread of democracy, is both witty and profound: “If the governed masses were composed of cattle, and the small number governing of cowherds, then the small number would do very well to maintain the masses in ignorance. But such is not the case. Several nations that wore horns and ruminated for a very long time have begun the think.”

On the rejection of Christianity, he writes of Jesus: “He disguised his divinity so well that he let himself be whipped and hanged, despite his miracles. But he also resurrected two days later without anyone seeing him and went back to heaven after solemnly promising that he would soon come back on a cloud …The trouble is that he didn’t come back.”

In one of his most-quoted pamphlets, “Republican Ideas”, his aphorisms ring with a modern truth: 

“Tolerance is as necessary to politics as to religion. It is pride alone that is intolerable. It is pride that revolts minds in trying to force others to think like us. It is the secret of all factions.”

No other book offers such a lively collection of Voltairian prose in so few pages. Even Voltaire scholars acknowledge that Voltaire’ can be hard work for the modern reader. And on this point Noyer has done a major service: choosing what to include as well as what to exclude.




TO FOLLOW WHAT'S NEW ON FACTS & ARTS, PLEASE CLICK HERE!

 


This article is brought to you by the author who owns the copyright to the text.

Should you want to support the author’s creative work you can use the PayPal “Donate” button below.

Your donation is a transaction between you and the author. The proceeds go directly to the author’s PayPal account in full less PayPal’s commission.

Facts & Arts neither receives information about you, nor of your donation, nor does Facts & Arts receive a commission.

Facts & Arts does not pay the author, nor takes paid by the author, for the posting of the author's material on Facts & Arts. Facts & Arts finances its operations by selling advertising space.

 

 

Browse articles by author

More Essays

Aug 29th 2015
As we approach the August bank holiday and a three-day weekend, it is worth reassessing the amount of time we devote to work. What if all weekends could last for three or even four days? What if the majority of the week could be given over to activities other than work?
Aug 28th 2015

I was on a call-in radio show late one night this week to discuss immigration and my new book, Dream Chasers: Immigration and the American Backlash.

Aug 28th 2015

There is a rising tide of nativism washing over the United States at this particular moment. We have seen such waves recurrently in our history.

Aug 27th 2015
In 1492, the Spanish Inquisition forced Jews to convert to Christianity or to leave the Iberian peninsula – on pain of death.
Aug 25th 2015
In virtually every science fiction novel or film, there is an evil corporation which dominates the world –
Aug 22nd 2015

The notion of a dementia epidemic has been a big concern in ageing societies across

Aug 22nd 2015

The health benefits of aspirin have been appearing in scientific literature for several decades, including a protective effect in those at increased risk of cancer.
Aug 19th 2015
It has long been known that labels, such as mental health diagnoses, can lead people to jump to damaging and erroneous conclusions.
Aug 14th 2015

In many ways President Carter's greatest work has come after his presidency and has been mostly centered on giving back to the global community.

Aug 13th 2015
MELBOURNE – In 1809, Jeremy Bentham, the founder of utilitarianism, set to work on The Book of Fallacies.
Aug 13th 2015

Humanity is on course for a population greater than 11 billion by the end of this century, according to the latest analysis from the UN’s population division.

In a simp

Aug 12th 2015

Sol Sanders is among the last of a dying breed, an international journalist with access to a range of senior sources, some of them national leaders, some scoundrels, some both. Finally, at age 89, he has put the highlights of his life and career down on paper, pulling no punches. 

Aug 10th 2015



US trophy hunter Walter Palmer must be the world’s most hated dentist.

Aug 4th 2015

Cars are one of the biggest threats to the planet.
Aug 3rd 2015

As the sustained media interest attests, Pope Francis's encyclical "Laudato Si" is a genui

Aug 3rd 2015

The pictures are sad and grotesque. An American dentist and his guide grinning over the remains of Cecil the Lion. Our sympathies run directly to the victim of the hunt, the lion.

Aug 2nd 2015

Not long ago, school children chose what they wanted to be when they grew up, and later selected the best college they could gain admission to, spent years gaining proficiency in their fields, and joined a company that had a need for their skills. Careers lasted lifetimes.

Aug 1st 2015

"There are more net jobs in the world today than ever before, after hundreds of years of technological innovation and hundreds of years of people predicting the death of work. The logic on this topic is crystal clear.

Jul 31st 2015
From Picasso’s The Young Ladies of Avignon to Munch’s The Scream, what was it about these paintings that arrested people’s attention upon viewing them, that cemented them in the canon of art history as iconic works?

In many cases, it’s because the artist incorporated a technique, form or style t