Feb 12th 2021
EXTRACTS: "She began her piano training rather late in life – age 8." ..... "I want to contribute a sense of joy by discovering atypical works that might surprise an educated public. I have great experience and am inclined to share them with anyone who can appreciate them, or as André Gide wrote, anyone “who has an open mind”."
Jan 31st 2021
EXTRACTS: "A new recording of Franz Liszt’s piano compositions presents ten carefully balanced pieces in a double-CD album aptly titled Between Light and Darkness, launched by Piano Classics. The pianist, the veteran French virtuoso Vincent Larderet .... Larderet opens his CD with a moving exploration of Après une Lecture de Dante with a tortured lyricism unmatched by many of his contemporaries who play it. I was stunned the first time I heard his performance. In our interview below, he describes lyricism as “an essential facet of my musical conception. The piano must be able to sing like the human voice.” "
Jan 16th 2021
EXTRACT: "Jack Kohl is an American pianist and writer with three novels and two essay collections to his credit. His new collection, From the Windows of Diligence: Essays from a Standing Pianist, has drawn critical acclaim in the U.S. and Europe. In these reflections, he examines the power of ‘hack pianism’, the metaphor of running vs. the piano, and the ‘hidden gift’ of the Covid virus pandemic on solitary practicing. Robert Beattie spoke to Kohl about his music training and how he made the transition from pianist to author. (This edited interview was first published on www.Seenandheard-international.com and is reproduced with permission.)"
Dec 17th 2020
EXTRACT: "Freedom in Beethoven’s music takes many, frequently overlapping forms. There is heroic freedom in the Eroica (1803), freedom from political oppression in the Egmont Overture (1810), artistic freedom and innovation in the Ninth Symphony (1824). Today, Beethoven’s music remains deeply connected with a true humanism, which has the principles of freedom and self-determination at its heart. The composer’s music grew out of the age of European Enlightenment, which located human reason and the self at the centre of knowledge......"
Beethoven 250: analysis of the composer's letters proves that creativity does spring forth from misery
Dec 17th 2020
Nov 27th 2020
EXTRACT: "One of the most durable tales in Western civilization – the legend of Faust – is brilliantly rendered in a piano adaptation, performed this week by the multi-talented Australian musician of German/Slovenian parentage, Ashley Hribar. A new recording of the music, now available digitally, will appear as a CD in the New Year. Hribar calls his recording, “Faust: A Mortal’s Tale”. It is a personal musical reflection on the Faust story, loosely based on the 1926 silent film by Wilhelm Friedrich Murnau."
Aug 6th 2020
EXTRACT: "For 60 minutes, my mind was clear, the air was clean and the sound heavenly. It was my honor and privilege to have been there."
Jul 25th 2020
EXTRACT: "Scarlatti sonatas are enjoying a popular surge in recent years, tempting pianists –Europeans, Americans, Asians -- to try to master their broad range. Margherita has some advice: “Don’t be afraid to slow down, to speed up, to play the truly singable melodies with a quasi-Romantic feeling.” "
Jul 18th 2020
EXTRACT: "The dizzying output of John Cage the musician, the poet, the writer, the thinker, the artist, was so prolific that one of his sidelines – his interests in wild mushrooms -- has been almost overlooked. A new a two-volume set of books, beautifully designed by Capucine Labarthe, packaged in an elegant slipcover, seeks to fill this gap."
Jul 9th 2020
EXTRACT: "In our chat by telephone, Paley spoke from his Paris apartment and asserted his belief that Rameau was “the greatest French composer ever. Pure genius and very special colors.” He acknowledges his extensive research into the period of Rameau’s life (1683-1764) in order to recreate the spirit of the time."
Jul 8th 2020
EXTRACT: "In A Fistful of Dollars (1964) and subsequent films, Morricone opted for an unprecedented fusion of archaic-sounding lines in the melody, reminiscent of medieval modal music. He intermixed this sound with contemporary pop touches (the Fender electric guitar), wordless choirs, unusual instruments (Jew’s harp, ocarinas, mariachi trumpets…) and ambient sounds (whip cracks, whistles, gunshot, coyote’s howls). He also infused scores with his trademark humour. This can be heard in the comedy western Il Mio Nome è Nessuno (My Name is Nobody, Tonino Valerii, 1973) where a toy trumpet toots bits of Wagner’s Ride of the Valkyries."
Jul 1st 2020
EXTRACT: "Question: Are you collaborating with living composers? Answer: Yes, Scott Wollschleger sends me unfinished new works every month. Keeril Makan is working on a piano concerto. Melaine Dalibert has dedicated several recent works to me. There are more names on the horizon. But these are the three where I feel I can have a big impact on their careers, and all three write music that I feel born to play. That combination of things is important to me."
Jun 1st 2020
EXTRACT: "Question: How do you see your musical mission today? Answer: My real passion in music is to resist popularity rankings and market forces. In my view, these currents impoverish our cultural richness........."
May 1st 2020
EXTRACT: Alessandro Deljavan: "I bought a former convent 40 kilometers from Pescara, in Villamagna. It's very important for me to breathe clean air and live as simply as possible. Life in a giant city full of cars and smog is hard for me to imagine. My perspective is always to live fully. My aspirations for the best musical experiences guides my decisions and over the past several years I have had the pleasure of meeting and working with some wonderful musicians—these experiences have brought me a sense of optimism for what might lie ahead.”
Apr 16th 2020
EXTRACT: "Federico Mompou, the reclusive Catalonian composer whose calm, spare piano writing is currently enjoying a rebirth, might well look askance at any effort to pull him forward into modern mode. Such was never his genre but that’s precisely what one of his ardent admirers, pianist Maria Canyigueral, proposed to do. The result is her intriguing new CD, Avant-guarding Mompou."
Mar 22nd 2020
EXTRACT: "In our interview, Prof. Réach says he cautions his students in Barcelona to approach the Variations with care, warning them “the path will be long and will require great patience”. He has personally overcome his fear of this “masterpiece of masterpieces”, having recorded them three times and performed them in about 15 countries a total of about 150 times."
Mar 13th 2020
EXTRACT: "The 88-key piano looks headed for a major transformation in the coming decades. The mechanism under the lid is based on a 130-year-old design and many specialists believe it is time to dispense with those delicate moving parts. As innovative Australian piano builder Wayne Stuart says, “The piano has been crying out for a rethink for over a hundred years.” "
Mar 8th 2020
EXTRACT: "Question: You have a Paris background. What do you bring to Granados to ensure Spanish flavor? Delicacy? Momentum? Singing and dancing undertones? Rubato?........Answer: First, I am profoundly European........."
"Philippe Bianconi interview: Shifting from one era to another, from one style to another -- that's what I find extraordinarily refreshing"
Feb 15th 2020
EXTRACT: "Question: You have said that you are plagued by doubts. Is this true?.........Answer: Of course I am plagued by doubts. This is part of the artist’s life. But I continue to work and perform. I have moments of depression but I try to transform these doubts into positives. Many artists have these doubts. Some don’t talk about it. But doubt is always there."
Jan 26th 2020
EXTRACT: "QUESTION: Wouldn’t young composers of today benefit from aligning themselves with a philosophical ethos in order to find their musical voice -- as opposed to trying merely to find their own voice by drawing on imagination or personal experience?.......... ANSWER: It’s an interesting question, but open to interpretation. My impulse is to answer yes. When young I did a tremendous amount of reading in the history of aesthetics, and as a result my sense of artist -- ethos, necessity, whatever -- is not limited to post-WWII influences. One result is that I’ve never had any patience for the late-20th-century idea that art is about “personal expression.” The ancient and more enduring view is that the artist expresses what is out there to be expressed. As T.S. Eliot admirably wrote, art is an escape from personality, not an expression of it. Likewise I’ve never warmed to the idea of “finding one’s voice,” which sounds to me too much like creating an instantly recognizable trademark style that will make your music easier to market commercially."