Life offers a brief “outtake” from one of the most famous lives to be profiled in the magazine of the same name’s history. James Dean starred in only three major Hollywood films before his death in a car crash on September 30 1955.
Is there such a thing as post-racism?
That’s what Justin Simien’s film Dear White People asks us to consider. And it’s just about to hit the UK.
Girlhood, Céline Sciamma’s new film, opens with one of the most remarkable sequences that I have ever seen in a cinema.
Still Alice tells the story of a university professor who is diagnosed with an aggressive early-onset dementia.
The Theory of Everything is a film about two people who meet at university and fall in love.
N.B.: Contains spoilers; if interested in the film, go see or stream it first and then read.
The taxi driver was mystified by the long queue waiting to go into Leeds Picturehouse cinema on a recent Sunday afternoon. He was clearly surprised when I explained that what turned out to be a capacity audience was there to see a documentary about the 1984-5 miners’ strike.
NEW YORK – The times we live in are often most clearly reflected in the mirror of art. Much has been written about post-communism in Russia and China.
Not all British period dramas are the same. They don’t all involve servants faithfully tendering to lovable members of the aristocracy. Many do, of course, especially given the commercial imperative of appealing to affluent Americans, most of whom like Britain’s history posh.
So the cryptic teasers posted on Twitter by Mark Frost and David Lynch have substance: Twin Peaks will be returning to television screens 25 years after its cancellation.
Henry Jaglom—the innovative filmmaker, director, and screenwriter—has remained independent of the so-called Hollywood studio system by ensuring that all his films, on the advice of Orson Welles, “Never need Hollywood.” In 1971, Jaglom persuaded Welles to appear in A Safe Place, and the t
Margin Call and Moneyball, two films from 2011 with money central to the narratives, focus the camera lens on love.