Young Boston area players performed a broad range of instrumental and vocal works by the up-and-coming Boston University (BU) composer Christopher LaRosa (in the picture) Friday night at Boston’s United Church of Brookline, virtually rattling the stained-glass win
Music Director Andris Nelsons’s Thursday [April 9, 2014] BSO program, comprising a wide range of musical styles and eras, induced an enthusiastic reception in the nearly full house. The program will be repeated tonight (Friday), Saturday and next Tuesday.
When scheduling an orchestral program a year or more in advance, it is probably impossible to know how a brand new piece will match up with any other work, but Michael Gandofi’s “Ascending Light,” which received its world premiere last weekend from Boston Symphony, had a lot in common with Gusta
The Handel and Haydn Society celebrated its 200th anniversary with an intense and moving performance of Bach’s “St. Matthew Passion” before a full house at Symphony Hall (Boston) on Friday (March 27).
Alessandro Deljavan, the charismatic Italian pianist whose playing created a sensation at the 2013 Cliburn International Piano Competition, has produced his much-anticipated CD of Robert Schumann works. Distribution is scheduled for the end of this month.
When the thunderous introduction to Grieg’s piano concerto erupted in Carnegie Hall on a spring evening in 1951, the audience was poised for a great musical experience.
You might think that watching a Baroque opera with its endless da capo arias would be akin to watching paint dry, but Seattle Opera’s all-new production of Handel’s “Semele” tosses that notion out the window.
Frances Wilson: Who or what inspired you to take up the piano and make it your career?
The world premiere of Snowstorm, a 20-minute feast of orchestral colors and cl
On Friday night (February 6) at Keller Auditorium, Sandra Piques Eddy gave one of the best performances of Carmen that anyone can possibly imagine. She captivated Portland Opera’s audience with a tantalizing combination of emotions that made Carmen absolutely bewitching.
I left jazz behind many years ago when I got hooked on Handel. The harmonies, the bounce and the melodies of the old German seemed to hold much more promise. I remember boasting to a friend, “I even have The Messiah in English.” I had a lot to learn.
As composer Morton Feldman enjoys a comeback in contemporary music circles today, a Swiss arts and design academy has published a new tribute to him along with a CD featuring an ethereal interpretation of Palais de Mari, Feldman’s last solo piano work.
French pianist Hélène Grimaud returned to Bordeaux Friday night (Jan.
One would think that a reliable warhorse like “Tosca” might be a dull affair because it is performed so often, but the most recent Seattle Opera production shows that Puccini’s masterpiece still can grip audiences in the gut.