Sep 29th 2015

Dining With a Dutch Master

by David W. Galenson

Dr. David W. Galenson is Professor of Economics at the University of Chicago; Academic Director of the Center for Creativity Economics at Universidad del CEMA, Buenos Aires; and a Research Associate of the National Bureau of Economic Research. His publications include Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity (Princeton University Press, 2006) and Conceptual Revolutions in Twentieth-Century Art (Cambridge University Press and NBER, 2009). David W. Galenson, picture aboce. Derek Walcott, picture in the text.

Great Dutch painters have come in threes. In the Golden Age, there were Rembrandt, Hals, and Vermeer. And in the modern era, there were van Gogh, Mondrian, and Appel.

2015-09-28-1443456160-5634139-The_Nightwatch_by_Rembrandt.jpg
Rembrandt van Rijn, The Night Watch (1642).
Image courtesy Wikimedia Commons.

Appel is much the most neglected of this illustrious group. But it has just become much easier, and more enjoyable, to rectify this.

2014-09-24-appelmanandanimalsstedelijk.JPG
Karel Appel, Man and Animals (1949).
Image courtesy of the Stedelijk Museum.

Every year, vast numbers of cultural tourists travel to Holland to enjoy the work of these geniuses in their native environment. All six are represented at the Rijksmuseum; the three Old Masters are also featured at the Mauritshuis; Hals is featured at Haarlem's Frans Hals Museum; the three moderns are featured at the Stedelijk; van Gogh has his own museum; Mondrian is amply represented at the Hague's Gemeentemuseum; and Appel is featured at the Cobra Museum in Amstelveen.

2014-01-03-AmbassadeHotelbyNight.jpg
Ambassade Hotel on the Herengracht, at night.
Image courtesy of the Ambassade Hotel.

But now, tourists in search of great art do not have to stop their quest when the museums close. For they can now have drinks and dinner with the work of Karel Appel and his friends at Amsterdam's recently opened Brasserie Ambassade.

2014-09-24-appelanimalscan092314.jpg
Karel Appel, Animal (1953).
Image courtesy of the Ambassade Hotel, Amsterdam.

The Ambassade Hotel, on Amsterdam's elegant Herengracht, has one of the best private collections of the art of Cobra, a movement created after World War II by a group of Northern European painters and poets. Appel was the key figure in Cobra's Dutch wing, and his art blended the discoveries of Picasso, Kandinsky, Miró, Klee and Dubuffet to conjure up an imaginary world inhabited not only by miniature humans, but by entirely new species of animals and ghostly spirits.

2015-09-28-1443461493-7317766-Wolvecamp_bij_Gabriel_ambassade.jpg
Theo Wolvecamp with his painting, Gabriel (undated photo).
Image courtesy of the Ambassade Hotel.

The Ambassade has now opened a bar - perhaps to be named the Appel Bar - and a restaurant. Both are of extremely high quality, as would be expected of a hotel that is consistently ranked in the single digits on Tripadvisor, and both feature major paintings by Appel and his Cobra colleagues. The Brasserie's art includes Appel's wonderful Animal, a quixotic fish-monster that hovers benevolently over the restaurant in a beautiful range of greens and blues, as well as the magisterial Gabriel by Theo Wolvecamp, one of Appel's closest friends. The Appel Bar is guarded by the Watch Cat, a creation of the Danish Cobra painter Asger Jorn that Jorn's former partner identified as a self-portrait of the artist.

2014-01-03-AsgerJornselfportrait.jpg
Asger Jorn, Untitled (The watch cat), 1949.
Image courtesy of the Ambassade Hotel.

The art of Cobra is colorful, beautiful, and playful. It was made by an ambitious group of struggling young artists, who invented new forms intended to transform traditional folk art into a new kind of advanced art, accessible to all. The movement's life span was short but intense, and it left behind paintings based on expression, spontaneity, and the subconscious. It is difficult to find a more beautiful or enjoyable setting in which to see the art of Cobra than at a table overlooking the historical Herengracht canal in the Brasserie Ambassade. If you have a drink at the Appel Bar, or dine in the Brasserie, you will never forget having dinner with Karel Appel and his friends.

2015-09-28-1443462284-5527256-appelkoster.jpg
Photo of Karel Appel by Nico Koster (ca. 1983).
Image courtesy of the Stadsarchief (City Archives), Amsterdam.



     

Browse articles by author

More Essays

Jun 26th 2014

I didn't know who Gerry Goffin was when I was in junior high school, and high school, in the '60s. I listened to AM radio constantly on my new transistor radio, and I knew all the songs on KEWB's weekly Top 20 - so well that sometimes I even called in and won Name It and Claim It.

Jun 23rd 2014

In Iraq, we are witnessing yet again the tremendous harm caused by religious fanaticism.

Jun 23rd 2014

I'd been writing novels and literary nonfiction for twenty years before I dared to write a 

Jun 14th 2014

The reconciliation of science and religion is one of the most compelling tasks confronting religious believers today. For we are truly faced with a pair of hostile, warring camps.

Jun 12th 2014

In 1923, T.S. Eliot wrote that in Ulysses, James Joyce had "arrived at a very singular and perhaps unique literary distinction: the distinction of having, not in a negative but a very positive sense, no style at all. I mean that every sentence Mr.

Jun 4th 2014

MELBOURNE – In New York last month, Christie’s sold $745 million worth of postwar and contemporary art, the highest total that it has ever reached in a single auction.

Jun 1st 2014

The Isla Vista mass murder was a preventable tragedy. It was the destruction of innocent life without need or reason. It is proof, as if more proof were needed, that we are past the time to break the nexus between guns, murder, and mental illness.

May 25th 2014

History is the story of the struggle of the psychologically normal majority of humanity to free ourselves from the tyranny of a psychologically disordered minority who are marked by their innate propensity for violence and greed.

May 22nd 2014

Part I – Watershed Moments

May 20th 2014

While we all rightly celebrate the protections afforded free speech by the First Amendment and are thankful, as President Obama said recently at the annual White House Correspondents Dinner, "We really are lucky to live in a country where reporters get to give a head of state a hard time on a da

May 20th 2014

Born in 1899, Lucio Fontana was an artistic child of the early 20th century: after being classically trained as a sculptor in his father's studio, he experimented with the major movements of his youth, including Cubism, Futurism, and Surrealism, as he became a painter.

May 16th 2014

Who said these words? “You just don’t invade another country on a phony pretext in order to assert your interests.”

May 13th 2014

The time is ripe for Christians to make a major refocus and become serious about the kingdom of God on earth, which Jesus set out to establish and which was the reason for his arrest, trial and execution by Roman officials.

May 8th 2014

I had the flu when I reread To the Lighthouse, more than 30 years after my first reading, and I was struck in the haze of fever by my frailty in the face of illness and aging and by Virginia Woolf’s poetic vision of life and death and what it all means.

May 4th 2014

John Nava, one of America's pre-eminent realist artists, is the subject of a small show of twelve portraits -- paintings, monotypes and Jacquard tapestries -- now on view at the Vita Art Center in Ventura.

May 1st 2014

“Ukraine – his Ukraine – was dead, a corpse. No, it was worse. It was gone. It had disappeared, vanished. It had been extinguished and obliterated by the Russians.

Apr 26th 2014
In the New York Times Book Review, Adam Kirsch laments a lost love -- the poetry of T.S. Eliot.
Apr 21st 2014

The sensible Joe Nocera is concerned: Apple has lost its creative mojo.

Apr 19th 2014

Christina Baker Kline is the #1 New York Times bestselling author of Orphan Trainand four other novels: