Oct 16th 2018

An AI Wake-Up Call From Ancient Greece 

 

STANFORD – In discussions about the implications of artificial intelligence (AI), someone almost always evokes the ancient Greek myth of Pandora’s box. In the modern fairytale version of the story, Pandora is depicted as a tragically curious young woman who opens a sealed urn and inadvertently releases eternal misery on humankind. Like the genie that has escaped the bottle, the horse that has fled the barn, and the train that has left the station, the myth has become a cliché.

And yet the actual story of Pandora is far more apropos to debates about AI and machine learning than many realize. What it shows is that it is better to listen to “Prometheans” who are concerned about humanity’s future than “Epimetheans” who are easily dazzled by the prospect of short-term gains.

One of the oldest Greek myths, the story of Pandora was first recorded more than 2,500 years ago, in the time of Homer. In the original telling, Pandora was not some innocent girl who succumbed to the temptation to open a forbidden jar. Rather, as the poet Hesiod tells us, Pandora was “made, not born.” Having been commissioned by all-powerful Zeus and designed to his cruel specifications by Hephaestus, the god of invention, Pandora was a lifelike android created to look like a bewitching maiden. Her purpose was to entrap mortals as a manifestation of kalos kakon: “evil hidden in beauty.”

Pandora’s name means “all gifts,” and reflects the fact that all of the gods contributed to her composition. After her creation in Hephaestus’s forge, Hermes escorted the ravishing young “woman” down to earth and presented her as a bride to Epimetheus. Her dowry was the fateful sealed jar containing more “gifts.”

Epimetheus was brother to Prometheus, the rebel titan who championed – and, by some accounts, created – humankind. Prometheus was concerned with humans’ obvious vulnerability, so he taught men and women how to use fire and other tools responsibly. But this enraged Zeus, a merciless tyrant who jealously guarded his exclusive access to awesome technologies. As punishment, Zeus bound Prometheus to a rock and sent his drone-like eagle – also forged by Hephaestus – to feed on his liver.

For her part, Pandora was deliberately devised to punish humankind for accepting the gift of fire from Prometheus. Essentially a seductive AI fembot, she had no parents, childhood memories, or emotions of any kind, nor would she ever age or die. She was programmed to carry out one malevolent mission: to insinuate herself in an earthly setting and then unseal the jar.

But that is still not the whole story. As Plato tells us, Prometheus’s name means “foresight,” because he was always looking ahead, unlike his carefree brother, Epimetheus, whose name means “hindsight.” As the more rational and justifiably paranoid of the two, Prometheus tried to warn his brother not to accept Zeus’s dangerous gift. But Epimetheus was charmed by Pandora and heedlessly welcomed her into his life. Only later did he come to realize his terrible error.

Padora vaasissa

The popular image of Pandora reeling back in horror as a cloud of evil swarms out of the jar is thus a modern invention. So, too, is the cloying image of Hope emerging from the vessel last to soothe men’s souls. In classical Greek renditions, Pandora is depicted as a cunning automaton: the most famous vase painting of her shows a young woman standing stiffly with an uncanny smile.

Moreover, in antiquity, Hope was personified as a young woman named Elpis, and usually stood for a lack of foresight. Rather than a boon, Hope signified an inability to look ahead or choose sensibly among possible outcomes; she represented wishful thinking, not life-sustaining optimism. And for the Greeks, she was just another manifestation of kalos kakon: a beautiful evil that had been unleashed upon humans. Hence, at least one ancient artist depicted Elpis/Hope, much like Pandora, with a smirking grin.

Pandoran hymyWith AI/machine learning quickly evolving into a “black box” technology, the symbol of Pandora’s sealed jar has taken on new meaning. Soon, the operational logic of AI decision-making systems will be inscrutable not just to their users, but also to their creators. Among other threats, the possibility that AI systems will be hacked by malign actors, or deployed by terrorists and tyrants, now looms large.

When Facebook founder Mark Zuckerberg, MIT’s Andrew McAfee, Lili Cheng of Microsoft, and other AI optimists assure us that AI will bring great benefits, one cannot help but think of Epimetheus and Elpis. Should we really trust humanity to adjust and troubleshoot the problems posed by AI as they arise?

It seems wiser to heed modern-day Promethean thinkers such as the late Stephen Hawking, Microsoft founder Bill Gates, and the 115 other tech leaders who in 2017 spoke out about the threat of weaponized AI and robotics. “We do not have long to act,” they warned. “Once this Pandora’s box is opened, it will be hard to close.” Moreover, these Prometheans’ concerns have been echoed by Google co-founder Sergey Brin and AI ethicists such as Joanna Bryson and Patrick Lin, who cautionagainst recklessly accepting AI’s “gifts” before figuring out how to control them.

Recent polls suggest that optimism about the potential benefits of AI has dropped significantly among those who are actually developing AI systems. An understanding of how AI works would seem to correlate with more realistic expectations. Rather than blind hope, foresight based on knowledge and experience should govern how we manage the future of this technology and our relationship with it.


Adrienne Mayor, a research scholar in Classics and History and Philosophy of Science at Stanford University, is a 2018-2019 Berggruen Fellow at the Center for Advanced Study in the Behavioral Sciences, Stanford. She is the author of the forthcoming book Gods and Robots: Myth, Machines, and Ancient Dreams of Technology (November 2018). 

Copyright: Project Syndicate, 2018.
www.project-syndicate.org

 


This article is brought to you by Project Syndicate that is a not for profit organization.

Project Syndicate brings original, engaging, and thought-provoking commentaries by esteemed leaders and thinkers from around the world to readers everywhere. By offering incisive perspectives on our changing world from those who are shaping its economics, politics, science, and culture, Project Syndicate has created an unrivalled venue for informed public debate. Please see: www.project-syndicate.org.

Should you want to support Project Syndicate you can do it by using the PayPal icon below. Your donation is paid to Project Syndicate in full after PayPal has deducted its transaction fee. Facts & Arts neither receives information about your donation nor a commission.

 

 

Browse articles by author

More Essays

Mar 19th 2015

"Even siblings we don't see, who live differently from us, who move in their own world, may be shoring up our lives, our sense of family, our feeling of being at home in the world without our knowing it."

Mar 18th 2015
What qualifications do I have to review a restaurant, especially one with a Michelin star? None, really, except for the fact that I have eaten every meal out (I mean virtually every meal) for thirty years.
Mar 18th 2015

So a Rabbi and an Atheist walk into a bar.

Mar 17th 2015

Recently, a friend sent me a list of people who did great things when they were old. It was a friendly gesture, meant to support my belief that it is possible to age "successfully." The list included Bizet, Cervantes, Cezanne, Churchill, El Greco, Rembrandt and Tennyson. Quite a group!

Mar 17th 2015

Paul Cézanne famously declared "I seek in painting." He spoke of his art in almost spiritual terms, as a quest to reach the distant goal he referred to as "realization." In a letter of 1904, the 65-year old master wrote that "I progress very slowly, for nature reveals herself to me in very comple

Mar 13th 2015
Senator Inhofe (R-Okla.) pitched a snowball on the floor of the United States Senate last month.

This was his way of disputing that 2014 was the warmest year on earth and that human-caused c

Mar 11th 2015

Parasites, pedants and superfluous men and women.
Mar 8th 2015

The French writer Marcel Aymé once wrote a short story in which the population of a small town, starving to death, suddenly discovered that if they looked at a painting of food with enough intensity, they would feel nourished, as if they'd eaten whatever was depicted on the canvas.

Mar 7th 2015

Every year I hope that someone like you or I will be celebrated on International Women’s Day. But it never happens.

Mar 7th 2015
Every year I hope that someone like you or I will be celebrated on International Women’s Day.
Mar 6th 2015

Great experimental innovators are acutely aware of the costs of their particular form of creativity, as they spend long periods in pursuit of the elusive ideal of creating art that will be as powerful, vivid, and honest as reality.

Mar 1st 2015
The targeted, theatrically-staged murder of Boris Nemtsov represents both a culmination and  a turning point.  A culmination because it is impossible not to see it as a kind of horrific, grisly completion of a line of political murders perpetrated during Vlaidimir Putin’s tenure in offic
Feb 26th 2015

"The government of the United States is not, in any sense, founded on the Christian religion."
John Adams

Feb 26th 2015

In a February 1941 editorial in Life magazine, Time and 

Feb 21st 2015

At a time when endorsement of Darwinism is reflexively identified with belief in evolution, it may come as a surprise that alternative accounts are gaining acceptance.

Feb 21st 2015
Philip Pickett, a very prominent conductor in the early music world, has been jailed for 11 years for sexually attacking two pupils and a young woman.
Feb 19th 2015

The 2016 presidential campaign is already upon us and the debate is heating up ov

Feb 12th 2015

Seventy years after the liberation of Auschwitz, we are at a transitional moment. For the past 70 years, the survivors of the Holocaust kept the memory of what had been done to them, to their families, and to European Jewry at the forefront of their society's consciousness.

Feb 12th 2015

Of course I like it when someone tells me I’m not old. But I always insist I am old, and that they are ageists, unwitting captives of Western culture’s misconception of the meaning of old age. ”You believe,” I say “that old means being decrepit, over the hill, used up, finished?